Jazz Guitar Voicings Vol 1: The Drop 2 Book - Download It Now from Rapidshare
Jazz Guitar Voicings Vol 1: The Drop 2 Book Rapidshare
If you are a jazz guitarist who wants to improve your chord playing skills, you might be interested in Jazz Guitar Voicings Vol 1: The Drop 2 Book. This is a comprehensive guide on how to master one of the most essential and versatile types of chord voicings in jazz guitar: drop 2 voicings. In this article, you will learn what this book is about, what you can gain from it, and how you can get it from Rapidshare in a matter of minutes.
jazz guitar voicings vol 1 the drop 2 book rapidshare
What are drop 2 voicings and why are they important?
Drop 2 voicings are a way of arranging chords on the guitar that makes them easier to play, more harmonically rich, and more suitable for jazz. They are called drop 2 because they are derived from dropping the second highest note of a four-note chord down an octave. For example, if you take a C major 7 chord in root position (C E G B), and drop the second highest note (G) down an octave, you get a drop 2 voicing (G C E B).
Drop 2 voicings are important for jazz guitarists because they allow you to play chords with four notes or more on any string set, without having to stretch your fingers too much or mute unwanted strings. They also enable you to create smooth voice leading and melodic movement between chords, which is essential for playing chord melodies and comping behind soloists. Drop 2 voicings are also very flexible and adaptable, as you can easily modify them to fit different harmonic situations and add more color and variety to your chord vocabulary.
How to construct drop 2 voicings from basic chords
The first step to mastering drop 2 voicings is to learn how to construct them from basic chords. You can start with the four most common types of chords in jazz: major 7, minor 7, dominant 7, and half-diminished (or minor 7 flat 5). These chords are built from the first, third, fifth, and seventh degrees of a scale, and they form the basis of many jazz chord progressions.
To create drop 2 voicings from these chords, you need to follow these steps:
Write down the notes of the chord in root position (1 3 5 7) on a staff or a fretboard diagram.
Identify the second highest note of the chord and drop it down an octave.
Rearrange the notes of the chord in ascending order from the lowest note.
Find the closest position on the guitar where you can play these notes on any string set (except the lowest two strings).
For example, let's take a C major 7 chord (C E G B) and apply these steps to create a drop 2 voicing on the top four strings:
The notes of the chord in root position are C E G B.
The second highest note of the chord is G, so we drop it down an octave to get G C E B.
We rearrange the notes of the chord in ascending order from the lowest note to get C E B G.
We find the closest position on the guitar where we can play these notes on the top four strings, which is on the fifth fret: x x 5 5 5 7.
This is one possible drop 2 voicing for C major 7 on the top four strings. You can repeat this process for any other basic chord and any other string set to create more drop 2 voicings. Here are some examples of drop 2 voicings for different chords and string sets:
Chord String set Drop 2 voicing --- --- --- Cmaj7 6-5-4-3 x 3 5 4 5 x Cmaj7 5-4-3-2 x x 10 9 12 x Cmaj7 4-3-2-1 x x x 12 13 12 Cm7 6-5-4-3 x 3 5 3 4 x Cm7 5-4-3-2 x x 10 8 11 x Cm7 4-3-2-1 x x x 10 11 8 C7 6-5-4-3 x 3 5 3 6 x C7 5-4-3-2 x x 10 9 11 x Examples of drop 2 voicings for common chord progressions
Now that you know how to construct drop 2 voicings from basic chords, you can apply them to some common jazz chord progressions and see how they sound. Here are some examples of drop 2 voicings for the following chord progressions:
ii-V-I in C major: Dm7-G7-Cmaj7
ii-V-i in C minor: Dm7b5-G7-Cm7
I-vi-ii-V in C major: Cmaj7-Am7-Dm7-G7
iii-vi-ii-V in C major: Em7-Am7-Dm7-G7
You can use any string set and any position on the guitar to play these progressions, but for simplicity, we will use the top four strings and the fifth fret as a reference point. You can also experiment with different inversions and variations of these voicings to create more possibilities. Here are some examples of drop 2 voicings for these progressions:
Progression String set Drop 2 voicings --- --- --- ii-V-I in C major 4-3-2-1 x x x 5 6 5 (Dm7) - x x x 5 6 6 (G7) - x x x 5 5 7 (Cmaj7) ii-V-i in C minor 4-3-2-1 x x x 5 6 4 (Dm7b5) - x x x 5 6 6 (G7) - x x x 5 4 6 (Cm7) I-vi-ii-V in C major 4-3-2-1 x x x 5 5 7 (Cmaj7) - x x x 5 5 5 (Am7) - x x x 5 6 5 (Dm7) - x x x 5 6 6 (G7) How to practice drop 2 voicings effectively
Learning how to construct and play drop 2 voicings is one thing, but practicing them effectively is another. You don't want to just memorize a bunch of shapes and patterns without understanding how they work and how to use them in different contexts. You also don't want to get bored or frustrated by practicing the same things over and over again. You want to practice drop 2 voicings in a way that challenges you, inspires you, and helps you grow as a jazz guitarist.
Here are some tips and exercises on how to practice drop 2 voicings effectively:
Practice drop 2 voicings in all 12 keys. This will help you develop your fretboard knowledge, your ear training, and your harmonic awareness. You can use a metronome or a backing track to keep time and create a groove. You can also use a cycle of fifths or fourths to move from one key to another.
Practice drop 2 voicings on different string sets. This will help you expand your range, your tone, and your options on the guitar. You can start with the top four strings and then move to the middle four strings and the bottom four strings. You can also mix and match different string sets within a chord progression or a song.
Practice drop 2 voicings with different inversions. This will help you create more variety, more voice leading, and more melodic movement with your chords. You can start with the root position and then move to the first inversion, the second inversion, and the third inversion. You can also mix and match different inversions within a chord progression or a song.
Practice drop 2 voicings with different rhythms. This will help you develop your sense of groove, your timing, and your dynamics. You can start with simple quarter notes or eighth notes and then move to more complex rhythms such as syncopation, swing, triplets, or sixteenth notes. You can also mix and match different rhythms within a chord progression or a song.
Practice drop 2 voicings with different styles. This will help you adapt your chord playing to different genres, moods, and situations. You can start with basic jazz standards and then move to more modern jazz tunes, blues tunes, bossa nova tunes, or pop tunes. You can also mix and match different styles within a chord progression or a song.
Practice routine for drop 2 voicings
and string sets. You can adjust this routine according to your level, your goals, and your preferences.
Practice routine for drop 2 voicings:
Pick a chord progression or a song that you want to practice. For example, let's say you want to practice the ii-V-I progression in C major.
Pick a string set that you want to use. For example, let's say you want to use the top four strings.
Pick a tempo that you are comfortable with. For example, let's say you want to start with 80 bpm.
Pick a style that you want to play. For example, let's say you want to play a swing feel.
Play the chord progression or the song using drop 2 voicings on the chosen string set, tempo, and style. For example, you can play Dm7-G7-Cmaj7 using drop 2 voicings on the top four strings at 80 bpm with a swing feel.
Repeat step 5 with different variations. For example, you can change the inversion of the chords, the rhythm of the chords, or the dynamics of the chords.
Repeat steps 2 to 6 with a different string set. For example, you can switch to the middle four strings and repeat the same process.
Repeat steps 3 to 7 with a different tempo. For example, you can increase the tempo to 100 bpm and repeat the same process.
Repeat steps 4 to 8 with a different style. For example, you can switch to a bossa nova feel and repeat the same process.
Repeat steps 1 to 9 with a different chord progression or song. For example, you can switch to a iii-vi-ii-V progression in C major and repeat the same process.
This is just an example of how you can practice drop 2 voicings effectively. You can modify this routine as much as you want and create your own practice routine that suits your needs and interests. The key is to practice drop 2 voicings regularly and consistently, and have fun with them!
How to expand your drop 2 vocabulary with extensions and alterations
Once you have mastered the basic drop 2 voicings for major 7, minor 7, dominant 7, and half-diminished chords, you can expand your drop 2 vocabulary by adding extensions and alterations to these chords. Extensions are notes that are added to a chord beyond the seventh degree of a scale, such as the ninth, eleventh, or thirteenth. Alterations are notes that are modified from their natural state in a scale, such as a sharp or flat ninth, eleventh, or thirteenth.
Extensions and alterations can add more color and variety to your drop 2 voicings by creating more tension and resolution, more harmonic complexity, and more melodic interest. They can also help you match your chords with the scales and modes that are used in jazz improvisation. However, extensions and alterations also come with some challenges and considerations that you need to be aware of when using them:
Not all extensions and alterations are available or appropriate for every chord type or every harmonic situation. You need to know which ones work well and which ones clash or create dissonance.
or fifth) to make room for them or to avoid redundancy or confusion.
Some extensions and alterations may require you to change the fingering or the position of your drop 2 voicings to make them playable or comfortable on the guitar.
To expand your drop 2 vocabulary with extensions and alterations, you need to follow these steps:
Write down the notes of the basic chord in root position (1 3 5 7) on a staff or a fretboard diagram.
Identify the extension or alteration that you want to add to the chord and write it down on the same staff or fretboard diagram.
Determine if you need to omit or replace any of the basic notes of the chord to accommodate the extension or alteration. If so, write down the new notes on the same staff or fretboard diagram.
Apply the drop 2 technique to the new set of notes by dropping the second highest note down an octave.
Rearrange the notes of the chord in ascending order from the lowest note.
Find the closest position on the guitar where you can play these notes on any string set (except the lowest two strings).
For example, let's take a C dominant 7 chord (C E G Bb) and add a sharp ninth extension (#9) to it. Here are the steps to create a drop 2 voicing with this extension:
The notes of the basic chord in root position are C E G Bb.
The extension that we want to add is #9, which is D# in C dominant 7.
We need to omit or replace one of the basic notes of the chord to make room for the extension. In this case, we can omit the fifth (G) because it is not essential for defining the quality of the chord.
We apply the drop 2 technique to the new set of notes (C E Bb D#) by dropping the second highest note (Bb) down an octave to get Bb C E D#.
We rearrange the notes of the chord in ascending order from the lowest note to get C E D# Bb.
the top four strings on the eighth fret: x x 8 9 9 8.
This is one possible drop 2 voicing for C7#9 on the top four strings. You can repeat this process for any other basic chord and any other extension or alteration to create more drop 2 voicings. Here are some examples of drop 2 voicings with different extensions and alterations for different chords and string sets:
Chord Extension or alteration String set Drop 2 voicing --- --- --- --- Cmaj7 9 6-5-4-3 x 3 5 4 7 x Cmaj7 #11 5-4-3-2 x x 10 9 10 x Cmaj7 13 4-3-2-1 x x x 12 13 14 Cm7 9 6-5-4-3 x 3 5 3 5 x Cm7 11 5-4-3-2 x x 10 8 8 x Cm7 b13 4-3-2-1 x x x 10 11 9 C7 b9 6-5-4-3 x 3 5 3 4 x 9 9 x C7 b13 4-3-2-1 x x x 10 12 9 Cm7b5 9 6-5-4-3 x 3 4 3 4 x Cm7b5 11 5-4-3-2 x x 10 8 9 x Cm7b5 b13 4-3-2-1 x x x 10 11 10 What can you learn from Jazz Guitar Voicings Vol 1: The Drop 2 Book?
Now that you have a basic understanding of what drop 2 voicings are and how to use them, you might be wondering what you can learn from Jazz Guitar Voicings Vol 1: The Drop 2 Book. This is a book that was written by Randy Vincent, a renowned jazz guitarist and educator, who has over 40 years of experience in teaching and performing jazz guitar. This book is considered to be one of the best and most comprehensive resources on drop 2 voicings for jazz guitarists of all levels and styles.
In this book, you will learn:
The structure and content of the book
The audio tracks and notation
The exercises and examples
The quizzes and tests
The structure and content of the book
The book is divided into four main sections, each covering a different aspect of drop 2 voicings:
Section One: Basic Drop 2 Voicings. This section introduces you to the concept and construction of drop 2 voicings for major 7, minor 7, dominant 7, and half-diminished chords. It also shows you how to play them on different string sets and in different inversions.
Section Two: Applying Drop 2 Voicings to Jazz Standards. This section teaches you how to use drop 2 voicings in various jazz chord progressions and songs. It also gives you tips on how to create smooth voice leading, melodic movement, and harmonic interest with your chords.
2 Voicings with Extensions and Alterations. This section shows you how to add more color and variety to your drop 2 voicings by using extensions and alterations. It also explains how to modify or omit some of the basic notes of a chord to accommodate these notes.
Section Four: Advanced Drop 2 Techniques and Concepts. This section covers some of the more advanced and sophisticated ways of using drop 2 voicings in jazz guitar. It includes topics such as quartal harmony, polychords, slash chords, tritone substitution, chromatic approach, and more.
The book also includes a glossary of terms, a chord symbol guide, and a bibliography of recommended books and recordings for further study.
The audio tracks and notation
The book comes with a CD that contains 39 audio tracks that demonstrate the exercises and examples in the book. The audio tracks are recorded by Randy Vincent himself, playing both solo guitar and with a rhythm section. The audio tracks are also available as MP3 downloads from the publisher's website.
The book uses standard notation and tablature to show the drop 2 voicings on the guitar. The notation also includes chord symbols, fingerings, string numbers, and fret numbers. The book also uses a color-coded system to highlight the different notes of a chord: red for the root, blue for the third, green for the fifth, and yellow for the seventh.
The exercises and examples
The book contains hundreds of exercises and examples that illustrate the concepts and techniques of drop 2 voicings in a clear and practical way. The exercises and examples range from simple to complex, from basic to advanced, and from common to exotic. They cover different keys, tempos, styles, and situations that you may encounter in jazz guitar.
The exercises and examples are designed to help you:
Memorize the shapes and sounds of drop 2 voicings
Apply drop 2 voicings to different chord progressions and songs
Improvise with drop 2 voicings over various jazz scales and modes
Create your own drop 2 voicings with extensions and alterations
Develop your own style and voice with drop 2 voicings
The quizzes and tests
The book also includes quizzes and tests at the end of each section that help you assess your progress and understanding of drop 2 voicings. The quizzes and tests consist of multiple-choice questions, fill-in-the-blank questions, matching questions, and playing questions. The answers to the quizzes and tests are provided at the end of the book.
How to get Jazz Guitar Voicings Vol 1: The Drop 2 Book Rapidshare?
and securely. Rapidshare is a convenient, fast, and secure way to get the book without having to pay for shipping or wait for delivery.
Here are some of the advantages of downloading the book from Rapidshare:
You can get the book instantly and start learning drop 2 voicings right away.
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You can print the book or any part of it as many times as you want.
You can share the book with your friends or fellow jazz guitarists who might benefit from it.
You can get the book at a lower price than buying a physical copy or a digital version from other platforms.
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Click on the download button and wait for the file to be downloaded to your computer or device.
Open the file with a PDF reader or a guitar tab software and enjoy learning drop 2 voicings!
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The alternative ways to get the book
If you prefer not to download the book from Rapidshare, you have other options to get the book. You can buy a physical copy of the book from Amazon or other online retailers, or you can buy a digital version of the book from iTunes or other platforms. You can also borrow the book from a library or a friend who has it.
However, these options may have some disadvantages compared to downloading the book from Rapidshare. You may have to pay more for shipping or delivery, wait longer for the book to arrive, deal with possible damages or losses, or have limited access or availability. Therefore, downloading the book from Rapidshare may be the best option for you if you want to get the book quickly, easily, and cheaply.
Conclusion
Jazz Guitar Voicings Vol 1: The Drop 2 Book is a must-have book for any jazz guitarist who wants to master drop 2 voicings and improve their chord playing skills. This book will teach you everything you need to know about drop 2 voicings